Kenneth Macmillan – His Life And Achievements
Born in Scotland in 1929 the choreographer and dancer Kenneth MacMillan is widely regarded to have made an extensive contribution to dance in the 20th Century. From working class roots he grew up in Great Yarmouth and took up dance at the age of 12. He was accepted by the then-called Sadler’s Wells Ballet that later became known as The Royal Ballet. A talented dancer, MacMillan was always more comfortable choreographing as opposed to performing.
MacMillan showed great promise as a dancer but he was afflicted with terrible stage fright and soon found himself more comfortable in the role of choreographer. In 1953 he choreographed Somnambulism followed by Laiderette in 1954, both pieces were well received and marked the young MacMillan out as a pioneering and innovative new choreographer. In 1955 he began to work under Sir Frederick Ashton choreographing for the Sadler’s Wells Ballet.
MacMillan went on to choreograph several short works for Sadler’s Wells Ballet that were well received and gained him much respect. These included The Burrow (1958), The Invitation (1960), The Rite of Spring (1962) to name just a few. He was made the resident choreographer for Sadler’s Wells in 1965.
The same year as his appointment to resident choreographer (1965) MacMillan choreographed his version of Romeo and Juliet, which was met with much critical success. Considered to be one of his most loved pieces of dance. A falling out with The Royal Ballet however saw MacMillan moving to Berlin to work at the Deutsche Oper. It has been reported that MacMillan hated his time there but he stayed for 3 years between 1966 and 1969.
MacMillan came back to The Royal Ballet as their director in 1970 – during his time here he choreographed many notable works including Anastasia 1971, The Seven Deadly Sins 1973, Requiem 1976, Mayerling 1978 and Isadora 1981. He worked as Director for 7 years until 1977 when he resigned but continued to choreograph for The Royal Ballet reverting back to role he always felt the most comfortable in.
Kenneth MacMillan will be remembered as one of the great choreographers of the last century perhaps only second to Sir Frederick Ashton. His work divides opinion to this day but it cannot be denied that MacMillan pushed boundaries with his choreography and was unafraid to delve into controversial issues in his ballets – his final piece The Judas Tree being a firm example of this. MacMillan could also produce pieces of work that showed great creativity, wit and charm and will be remembered for his unique innovative style.
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